Реклама

Production Breakdown: Every Beat From Kanye’s “Dark Twisted Fantasy” Album (Updated!)

Posted by Richard on 12/10/10 | Filed under Top Stories, Features, Kanye West, Production Breakdown

The other day, I got to thinking, “Y’know, maybe I’ve been a little too focused on Kanye lately… maybe, for my next column, I should talk about something else; you know, something other than this extremely exiting, critically-acclaimed new album by the most prominent rapper-producer in the game.” So I had this meticulously researched critical analysis of the use of the Flexatone (you know, this thing) throughout hip-hop history ready to go… unfortunately, my cat ate my hard drive, and that epic breakdown was lost for all time. So, f*ck it. I’m gonna break down My Beautiful Dark Twisted Fantasy. All of it – not all at once, that’d be crazy, but a little bit at a time.

"Power"

With our Thanksgiving dinners and leftovers fully digested, we continue our breakdown of Beautiful Dark Twisted Fantasy with “Power” – a cut which I’ve discussed in a previous column but feel the need to revisit once again. Why? Well, because it’s arguably the most complex record on arguably the most complex album, by arguably the most complex hip-hop artist… OF ALL TIME.

Uh, I might have got a little carried away there… and I don’t actually have any intention of arguing that point. What I meant to say was that I missed some stuff, so let’s put on our listening caps once again.

Now, we all know that the central sample of Kanye and rapper/producer S1‘s beat is originally from “21st Century Schizoid Man,” a classic ‘69 single by UK progressive-rockers King Crimson.

And it should be becoming clear that ‘60s and progressive-rock influences are a recurring theme in the album’s aural palette. But, of course, there’s more. In a uStream conference (according to Wikipedia), Kanye claimed that elements from breakout hit “Jesus Walks” and 808s & Heartbreak single “Amazing” had made it into “Power.” While I’m not aware of any elements being directly lifted from the aforementioned cuts, the single’s combo of tribal/chain-gang chants, militaristic, handclap-laced percussion, plodding piano chords and overall ominous ambiance certainly echoes the aforementioned cuts. I’d also link Kanye’s beat on Hova’s “Run This Town,” to the development of ‘Power’s overall vibe – here, the rock-guitar enters the picture.

 

Back to what actually did make it into “Power.” Though the fact that Kanye and S1 flipped a King Crimson record got the lion’s share of the attention, many (myself included) overlooked an even more prominent sample: the chanting, lifted from “Afromerica,” the title track off disco group Continent Number 6’s 1978 full-length. Somehow, they managed to pick out the only few seconds of this song that aren’t completely corny; color me impressed.

 

And the percussion? It’s from Cold Grits’ semi-obscure instrumental cover of The Isley Brothers’ “It’s Your Thing,” released as a single in 1969.

 

Finally, I have to give Nathan S. the credit for bringing to my attention a potential sample that I haven’t heard anyone else mention. When he filled in for me just a couple weeks back, he mentioned Kanye’s love for that “Hey!” from James Brown’s “Funky President” break. You know, this one:

 

Well, if you listen really closely throughout much of the record, you’ll hear a repeated vocal sample that sounds like it could be a heavily-processed version of the same ”Hey!” I’m honestly not sure about this one – but if there’s anyone who would think to spit “They say I was the abomination of Obama’s nation” over samples of songs titled “Afromerica” and”Funky President,” it would be Kanye.

 

« Previous       Next »


More Galleries:
Can You Guess the Mystery Booty of the Week? (Pics)Can You Guess the Mystery Booty of the Week? (Pics) Announcing the Winners of the First Annual RefinedHype AwardsAnnouncing the Winners of the First Annual RefinedHype Awards Fails of the Week: Diddy Rambles, Sperms Gets Avoided, Jets Beat Pats & More!Fails of the Week: Diddy Rambles, Sperms Gets Avoided, Jets Beat Pats & More! ‘Tis The Season To Be Toning (The Top 3 Toning Sneakers)‘Tis The Season To Be Toning (The Top 3 Toning Sneakers) Fails of the Week: Lebron, Rihanna, Prison, Drunkeness & a Whole Lot of F**kingFails of the Week: Lebron, Rihanna, Prison, Drunkeness & a Whole Lot of F**king

Member Comments

bitcloud7
bitcloud7
As always insightful. I know music is what Kanye does, but I don't understand how he can flip some of these what I would consider otherwise average unheard of tracks into gold. Most be part of his genius.

Posted on Nov 19, 2010
bitcloud7
bitcloud7
must*

Posted on Nov 19, 2010
T-Rey
Dark Fantasy is the kind of beat that makes you feel on top of the world and lets face the facts 1. Everyone wants to be on top of the world 2. Ye is a beast producer. Nuff said.

Posted on Nov 20, 2010
Young Mo Fo
Young Mo Fo
All of the lights has to be one of the best produced tracks of the last few years. I loved the breakdown in "Devil in a New Dress" also, it was amazing. Normal words cant describe his album well enough. Get a home theatre and pop the CD in...Jizzed in the Christmas tree. xD
Posted on Dec 03, 2010
dirtyharry
regarding the ross sample on monster bit, i think at that 4.57 point you can sorta decipher "kanye west samples, bitch".

with the "bitch" taken from ross first word of his spit.

or maybe i'm just crazy!

Posted on Dec 11, 2010
tdotraza
tdotraza
Quick check: how many times can you hear Charlie Wilson vocals on new Kanye tracks?

He's on both "That's My Bitch" and at the end of "Monster" with Bon Iver. In "Monster," he backs all of the vocals. Bon Iver only has one real singer, Justin Vernon, so the other voice is Wilson.

In "That's My Bitch" he occupies 1:45 to 2:02 and 2:55 to 3:13.

Or at least, I'm 99.9% sure it's him on those tracks, lol.

Posted on Dec 13, 2010
Richard
Richard
@dirtyharry: I stand corrected. You may be right, I do hear the "B*tch I'ma..." in there.

@tdotraza: I checked the official credits for "Monster" and didn't see Charlie ilson. My guess is it's just Justin Vernor layering his voice, but who knows. You're right about WIlson being all over the album, though.

Posted on Dec 13, 2010


Existing User Login:               Forgot your Password?
 
line
New Users - Register to Comment



By Registering you accept our Ts&Cs    
Please login or Become a Member!

 


Remember Me       Forgot your Password?
line

What is Refined Hype?

line

Public Enemy said it best: don’t believe the hype. Urban music and culture has found a home online, but with the explosion of new content appearing online everyday, it’s become difficult to separate what’s real with what’s just hype.

RefinedHype gathers everything that’s new in urban culture and refines it for a discriminating audience. From exclusive new music to the latest in entertainment, fashion, events and more, we give you the high quality content you demand.

more